When you were setting up the speakers with the Amp?
Did you select small speakers instead of large as per the setup manual?
Have you set the specific distances for each speaker to your viewing point?
Learn the differences in your sound modes that the Amp offers.
Don’t turn the levels of your surround speakers up too high because you can’t “hear” them. You aren’t supposed to hear them in the conventional sense; that is, if they’re set at the correct levels, the surrounds should not call attention to themselves. Surround speakers are primarily used to deliver ambient effects for the on-screen action or to enhance the musical experience by adding the third dimension of space. Their purpose is to provide subtle envelopment of you, the listener/viewer, in the “sound field” or spatial experience of the place or scene occurring on-screen and to immerse you in the delayed secondary reflections of the space where the musical recording was made.
The surround isn’t intended to blast you with precise directional cues except for certain hard-mixed sounds that happen off-screen during gun battles, fights, chase sequences and the like. Much of the time, you may wonder if the surrounds are even on-until say, a rainstorm or outdoor sequence or perhaps a phone ringing off-screen suddenly reminds you of how much realism a surround system is capable of.
Note also that surrounds may not be used for long sequences during a movie. Low-budget independent feature films may have few or no surround effects at all. Big-budget action spectaculars, by contrast, will often make remarkable use of the surrounds to involve you in the action.
After arranging your roomâ€™s furnishings and layout for home theater and unpacking components and making basic cable connections, the first major step in audio-system setup is speaker placement. Hint: Hold off on making final speaker cable connections until you know exactly where you want your speakers to go. Begin by placing the centerchannel speaker just above or below the center of your display, with the front of the speaker in approximately the same plane as the screen, facing toward the listening area. Avoid placing the center-channel speaker near reflective surfaces (e.g., shelves) that could muddy the sound.
Next, position the left and right main speakers symmetrically to the sides of your display; if you imagine the listener is seated in the center of a big protractor whose centerline points toward the center of the screen, then the main speakers should be placed about 30Âº left and right of the center, with the midrange driver at ear level. Hint: Place the front three speakers in an arcâ€”not a straight lineâ€”so that they are the same distance away from your listening position (use a tape measure to check this). If the speakers are angled-in toward the listening position (as opposed to pointing straight ahead parallel with the sidewalls), be sure the amount of angle (called â€œtoe-inâ€) is the same for both speakers.
Next, position left and right surround speakers symmetrically to the sides of and slightly above and behind your listening positionâ€”about 110Âº left and right of center. For 7.1-channel systems, the left and right back surround speakers would be placed symmetrically above and behind the listening area, about 150Âº degrees left and right of center. Hint: When using dipolar surround speakers, be sure to aim the null axis of the speaker toward the listening area. (This gives desirably diffuse surround sound.) The rule of thumb is that the surround speakers should be positioned at least three feet above the seated listenersâ€™ heads.
Finally, position your subwoofer in accordance with the manufacturerâ€™s instructions; some models are designed for use in corners or against walls, while others are not. Remember that the goal is bass qualityâ€”not bass quantity. If you encounter problems with indistinct, boomy bass, try pulling the subwoofer out into the room, making sure that the distances from the side and back walls differ (this helps fight boom-inducing resonance).
Once you are satisfied with speaker placement, you can make final loudspeaker cable connections. Hint: Leave some
slack in your speaker cables so that you can adjust speaker positions later if necessary, and, where necessary, conceal cables inside molded rubber cable-protector channels that rest flat on the floor. (These are available in most office supply stores, and improve system aesthetics while preventing guests from tripping over cables.) This is also the time to install the spikes that couple the speaker to the floor.
[B]Defining Speaker Configurations and Sizes[/B]
Most AVRs and controllers feature speaker set-up menus in which the first order of business is to define the speaker configuration you are using (where numbers such as â€œ5.1â€ denote five main speakers plus a â€œ.1â€ subwoofer). Start by selecting the menu item that corresponds to your overall configuration, and then make additional menu selections to indicate what sizes of speakers you are using in each position and whether or not the system includes a subwoofer. By convention, full-range speakers are considered LARGE, while speakers that need bass reinforcement from a subwoofer are considered SMALL.
Setting Subwoofer Crossover Frequency
Your next task is to select an appropriate subwoofer crossover frequencyâ€” that is, the frequency below which the subwoofer will take over the bass workload from the rest of your speakers. Since most AVR/controller menus allow you to choose just one subwoofer crossover frequency that applies for all SMALL speakers in the system, the best strategy is to pick a frequency which provides adequate bass support for those speakers that produce the least bass of their own. For example, if your main speakers extend down to 65Hz, but your surround center-channel speakers reach only to 80Hz, it would be best to choose 80Hz as the system subwoofer crossover point, because this allows smooth, gapfree bass support for all speakers in the system. Use the frequency-response specifications for your speakers as a guide in selecting a crossover frequency. Note that some AVRs and controllers let you set multiple crossover points on a channelby- channel basis; where this is the case, match crossover points to fit the requirements of your individual speakers.
[B]Setting Speaker Distances (Delays) and Levels[/B]
Once a subwoofer crossover point is selected, it is time to set speaker distances (or delay times); this adjustment ensures that sounds arrive at your listening position with the exact timing that soundtrack designers intended. Almost all AVRs and controllers provide menus where you can specify the distance between your listening position and each speaker in the system, including the subwoofer. Use a tape measure to determine those distances and enter them in the appropriate set-up menu. For best accuracy, measure from one common point in the center of your listening position to the center of each speakerâ€™s grille. Once distances are set, youâ€™re ready for the enjoyable process of setting speaker levels (where youâ€™ll finally get to hear your speakers in action). Virtually all AVRs and controllers provide â€œpink noiseâ€ test tones that slowly shift from channel to channel in your system. Use caution when listening to these tones, taking care not to play them too loudly. Your mission is to use the set-up menu to adjust the volume levels of each individual channel until all channels are evenly balanced in output. With practice you can do this by ear, but for greater precision and more reliable results a smart alternative is to use a good, inexpensive sound pressure level (SPL) meter such as those sold by RadioShack. Skip the digital SPL meter and choose the more accurate and less expensive analog model (catalog #33- 2050.) Set the meter to C-WEIGHTED position, SLOW RESPONSE, and set the sensitivity knob to 70. Using the centerchannel speaker as your reference, listen to the test-tone pattern and determine which channels need more or less volume to match the level of the center channel. As you make volume adjustments, try first to balance the output of the L/R main speakers with the center channel (since these three speakers carry the bulk of the sonic workload), then balance the surround speakers to the front speakers, and finally match output from the subwoofer to the rest of the system. Hint: If you are using an SPL meter, try pointing it toward the ceiling, and positioning the meter so that its built-in microphone is in roughly the same position as a seated listenerâ€™s head would be.
[B]Fine-Tuning the Subwoofer[/B]
You are nearly ready to test your speaker setup using soundtracks and movies, but before doing so I recommend performing a few subwoofer-specific tests and adjustments. Your objective is to have the bass output of your main speakers and the subwoofer blend seamlessly, and to achieve this result youâ€™ll need to adjust the phase control of the subwoofer to â€œsynchronizeâ€ its output with that of the main speaker. Try listening to recordings with repetitive low-bass content (e.g., a concert bass drum that is struck again and again throughout a song), and then adjust the subwooferâ€™s phase control until the best overall combination of bass output and bass clarity is achieved. If you have residual problems with boomy bass, try positioning the subwoofer farther away from the wall to improve clarity. (It may take several tries before you get good results.) Once youâ€™ve adjusted the subwooferâ€™s position and phase controls to your satisfaction, you may need to reset distance settings (if necessary) and re-adjust subwoofer volume levels.
Your final system â€œsound checkâ€ should involve listening to music (using your AVR or controllerâ€™s surround- sound modes) and to wellrecorded Dolby Digital or DTS film soundtracks (but remember, music is usually the tougher and more revealing test). Normally, the set-up steps above will get you very close to optimal sound, but donâ€™t be surprised if it takes some fine-tuning to get surround imaging to gel. Your goal is to achieve a smooth, seamless â€œringâ€ of sound that surrounds your listening position. Donâ€™t be afraid to make small â€œtweaksâ€ to achieve a more perfect blend; itâ€™s part of the fun. When in doubt, let your ears be your guide.